Use The Hidden Meaning of Color In Your Art
The hidden meaning of color can be used as a powerful tool in art. Once the simple principles are understood, the artist can use color to enchant the viewer. In fact, research shows that color can play a major role in our overall state of well-being. The colors we surround ourselves with directly influence the way we feel and relax.
In art and design, color allows us to create our own individuality and flare. For years, interior decorators, graphic designers, advertisers and artists have been using color to enhance our environments. Color can be used to evoke a certain mood or to create a message or sharp response in the viewer. As artists we learn how to use the positive or negative attributes of color in our works to subliminally send a message.
The following examples illustrate how people react differently to cool and warm colors…
Cool colors:
- Based on blue undertones and bring to mind a calming effect.
- These colors range from cold icy blues to warm and nurturing Mediterranean turquoises.
- Many decorators use these colors in spas, bathrooms and other quiet environments.
- Blues lower heart rate and reduces appetite.
- Blue represents dependability.
- It is commonly worn in uniforms and business suits.
- Dark blue is generally used by more authoritative figures including police officers and our Presidents!
- Blue and greens are used in advertising medicines and health care products.
- ‘Greenrooms’ of theaters are so called because their green walls are often used to steady the nerves of actors.
- Dark greens do well in offices and studies.
- Greens are commonly used for outdoor products.
Warm colors:
- Based on yellow undertones and tend to convey emotions ranging from happiness to violence.
- Red, orange and yellow colors trigger hunger.
- This is why you see restaurants like McDonalds, Wendy’s and Burger King using these colors in their logos and advertising.
- Safeway, Walgreens and Costco all use red in their logos.
- Red instantly attracts, makes people excited and increases the heart rate.
- Just think of Coke and Red Bull!
Before I share the hidden meaning of each color in the spectrum, first a brief Color Theory history lesson:
- Philosopher, Leone Battista Alberti (c. 1435) and artist/inventor, Leonardo da Vinci (c. 1495) were the first known writings on color principles.
- In 1666, Isaac Newton’s Theory of Color and primary colors were introduced.
- Just over a hundred years after Newton’s discovery, Moses Harris created the first color wheel. It classified red, blue and yellow as the three primary colors. Primary colors cannot be created by mixing any other colors together.
- Then in the early twentieth century, German painter, Johannes Itten extended the color wheel to include secondary and tertiary colors. He also pioneered the idea of warm and cool colors and principle that any shade of color can either have a warm base or a cool base.
Itten’s ground-breaking Color Star Chart featured twelve colors…
THREE PRIMARYCOLORS:
- RED
- YELLOW
- BLUE
THREE SECONDARY COLORS: made by mixing the primary colors together
- RED + YELLOW =ORANGE
- YELLOW + BLUE = GREEN
- RED + BLUE = PURPLE
SIX TERTIARY: made by mixing two secondary colors together
TINTS & SHADES: Any color can be lightened by adding white, known as a tint. The same color can be darkened by adding black, known as a shade. Shades of white being more feminine and tints of black become more masculine
COMPLEMENTARY & COLOR HARMONY: Complementary colors have a strong visual impact when placed alongside another. Complementary colors are directly opposite each other on the color wheel.
- RED + GREEN
- BLUE + ORANGE
- YELLOW + PURPLE
Harmonious colors rest alongside each other in the color wheel.
Hint: Experiment with crayons to explore the relationship of different colors to each other and discover which combination appeals to you.
- YELLOW + ORANGE = harmony
- BLUE + PURPLE = harmony
THE MEANING OF COLOR:
RED: The color of assertion, strength, romance, excitement, vitality, physical power, outgoing, ambitious and impulsive. It is a color that flatters the skin and can make an excellent background. Pale pink are warm and peaceful and combine well with greens. The deeper reds create an atmosphere of retrained opulence and power. Red elicits an uncomplicated nature with a zest for life. But, red can also connote danger or threats. Fire engines, stop signs and traffic lights are a perfect example.
ORANGE: Midway between red and orange it is a cheerful color. It is a flamboyant and lively color. Orange can be assertive, dynamic, and spontaneous and signifies youth and fearlessness. Orange stimulates the brain and produces oxygen and mental activity. Dark-orange signifies deceit or distrust, whereas red-orange can correspond to aggression, domination and thirst for action.
YELLOW: We associate yellow with sunshine and represents light. It creates a feeling of hope, happiness and wisdom. The color evokes an optimistic sense of well being and natural light. It is airy, radiant and atmospheric. Yellow gives the feeling that all is okay with the world. An example of this is Luminism, an early generation of landscape painters who explored ways to depict light realistically on canvas by using color to depict a melodramatic or romantic mood. But, yellow is a complicated color. On one hand, it is considered ‘light-hearted’ and childlike, but actually it is known to make babies cry. Although, light-yellow represents intellect, freshness and joy, dull-yellow is associated with caution, decay, sickness and jealousy. Yellow at times is cowardice. The phrase, ‘yellow-bellied-coward” came into use around 1910 which probably derives from yellow’s association with both treason and weakness. More than a millenium ago, Judas Iscariot was often portrayed in yellow garb symbolizing his betrayal of Jesus Christ – a cowardly act. In America’s pioneer days, yellow dogs were considered worthless and the term “yellow dog” came to be used to describe anything worthless. Our observation of the yellow of tree leaves as they age and die, as well as the yellowing of old books and papers, led to the association of yellow with old age and illness. But, yellow is very effective at attracting attention – think of a taxi cab. Yellow is also used as a warning symbol. In football, a ‘yellow flag’ issues a warning. When place alongside black, yellow issues a warning. Yellow is also used in traffic lights and signs to advice us of danger. The list goes on an on…
Hint: In painting light, use warm to cool colors against each other, not black to white…
“Under Vanilla Skies” by Lori McNee
(The above painting has a calm, harmonious feeling. This serene environment was created by using light-yellows and varied greens along with dashes of complimentary colors.)
GREEN: The color of harmony, balance and security. Green also has a calming effect and symbolizes hope, peace, gentleness and modesty. It is soothing, refined and civilized with great healing power. Green suggests stability and endurance, hope and growth. It sometimes denotes lack of experience, for example a ‘green-horn’ is a novice. Pale greens are particularly restful. Dark greens remind us of money, banking and Wall Street. However, at times yellow-green is used to portray sickness, discord and jealousy. Remember the phrase, “green with envy”???
BLUE:The color of the sea and sky, it has a quality of cool expansiveness and openness. Soft, soothing, compassionate and caring, blue is an introspective color. Blue is often a formal color which represents wisdom and steady character. Many superheros wear blue! It is considered a masculine color and the choice of corporate America. But, the quiet character and poetic subtlety of blue can also be associated with melancholy and resignation. Remember Pablo Picasso’s infamous “Blue Period” of art? Picasso’s personal trauma found expression in a series of deeply sentimental paintings which comprise his “Blue Period”. I even dedicated a helpful post to artists who find themselves Feeling Blue…
VIOLET:A combination of red and blue, purples are regal and dignified to be used with discretion. Pale shades are restful and serene, but the darker shades make it difficult to focus. Lavenders signify refined things of life, creative, witty and civilized. Purples can be tiring on the eyes and cause a sense of frustration, but it can make an excellent foil for works of art. Gloom and sad feelings can be portrayed by using purples.
BROWN: The color of living wood and the earth. Rich, subtle and extraordinarily restful to look upon, brown creates a feeling of coolness and warmth at the same time. It combines well with rich colors such as purple and gold (popular in the Victorian era). It is a steady, dependable, conservative, conscientious and reliable color. Brown evokes a sense of nostalgia and reminds us of the great works of Rembrandt, Titian and Rubens. Tonalism used rich earth tones and muted colors to create moody landscapes. Van Gogh’s used a lot of brown to set a somber and depressed mood in the famous painting The Potato Eaters . Think back on Soviet Russia and you might remember the common people usually wore shades of brown.
GRAY: This color represents caution and compromise. Many beautiful grays can be made by mixing complimentary colors together. Grays give a sense of peace to the viewer.
WHITE: Symbolic of safety, cleanliness and purity. White emanates youth, perfection and innocence. Angels are usually thought of as white. White is simplicity and freshness, but too much can give a clinical feeling. Doctors, hospitals and sterility are associated the white. Low fat foods and dairy products use white in their packaging. But, in many Eastern cultures, white signifies death, mourning, funerals and unhappiness. Ghosts are white and giving white flowers to the sick is bad luck in many cultures. In painting, use white sparingly. It can make colors chalky and lifeless.
“On Edge” by Lori McNee
(The intensity and energy in this painting was created by using variations of the colors, black and white. The opposite symbology and meaning of each color strikes a hidden message and restlessness in the viewer.)
BLACK: Mysterious and hidden, black can have a morbid feeling. It gives us a feeling of the unknown and negative connotations like, black-hole, blacklist, black-humor or black-death. In most Western cultures, black is the symbol of grief. However, black can be dignified and showy with sophistication. Black will also punctuate color schemes that rely on strong contrasting colors. Try mixing your own blacks, rather than using it straight from the tube.
“A Second Glance” by Lori McNee
(In this painting I wanted to create a mysterious mood. Using black and dark greens helped achieve my goal. I rarely use black from the tube. I can mix a great ‘black’ with Ultra Marine Blue & Cadmium Orange or Burnt Umber.)
Most successful artists know how to use color to their advantage, but many aspiring and novice artists are not aware of the power of color on the viewer. This article is NOT my abbreviated attempt at teaching ‘Color Theory’. Volumes of books on the subject could fill any room! But, my intention is to share a thought provoking overview on the color spectrum and its meaning. Artists are always looking for ways to create meaning in their work. Actually, writing this post has given me some fresh ideas for approaching my upcoming paintings! Now with a better understanding of color, I hope you can enhance your paintings with the appropriate subliminal message or meaning to capture the mood you desire to portray.
Let me know what you think…Lori













Very helpful. Thank you for sharing!
Hi Doroteja-
Thanks for taking time to comment. Hope to see you again!
Awesome post. Makes me want to bring my camera and take pictures on every trip into the outdoors. Both your painting and editorial content is the “Best of the Best”
Congrats!
Chris
Great info! I will refer to this often, so much of what we envision to create often comes naturally, but it always helps to remember and be reminded of the principles upon which we build our works of art.
Thanks so much!
Glad you liked this post. There is so much to remember as artists!
Very good article. I try to evoke calm and peacefulness in my paintings and have always been partial to blues, and violets. I still have some trouble mixing my greens and do much better mixing them blue green rather than with lots of yellow. Thanks for your posts.
I think greens are the most personal colors for artists to mix. Green is a very subjective color. Interesting.
Wonderful! – especially about the psychology of color.
I’m going to be kind of pedantic about the technical part, though – I always have to tell my multimedia students that their art teacher lied to them about red, yellow and blue!
You may well already know this – I have a notion that everyone should, who works with color.
For light *emitters* such as a computer monitor, the primary colors are red, *green* and blue. Mixed in the right proportions, these add up to white. (You’re combining colors of light, not paint.)
For light *absorbers* such as paint, ink or print toner, the primary colors are magenta, yellow and cyan (light greenish blue). These are what printers use. Close to red, yellow and blue, but not identical – I remember once (before I knew this stuff) getting horrifically frustrated trying to make green by mixing yellow with (I think Prussian) blue, and the green was SO muddy.
I do think you’re spot on about what different colors *do*, allowing for occasional individual differences. Thank you!
Thanks for the interesting additions to the article on color. I orginally thought about adding some of this information, especially about magenta, yellow and cyan (which we all know makes black when mixed together) but, I chose to speak primarily to the studio artist. Although, I didn’t know about the primary colors for a computer monitor! Artists’ pigments are limited in their abilities to create light, but great artists have amazing results. Thanks for your comment. Lori
I don’t object to the points made but if the definition of a primary colour is a colour that cannot be mixed from other colours then magenta and cyan cannot really be considered primary colours since they are the result of combining two other colours – red+blue and blue+green respectively. However, different industries (painting, printing, photography) adopt different uses of colour and thus create primaries that suit their needs. Yellow, magenta and cyan may are called primaries for the colour printing industry (and photography when colour printing using light) because these colours allow for better colour reproduction using printing inks. However, I believe it would be confusing for artists mixing paint media to have various different sets of primaries and red, yellow, and blue work better in paint media. I don’t think art teachers have lied to students about the primary colours since they have taught their students the correct system for paint media. However, it would be incorrect to teach printing industry students the paint primaries and I’m sure this isn’t done. Just my tuppence worth.
Hi Les, thanks for sharing your knowledge on color with us. I agree with your comments and appreciate them. My post is a quick overview of an extremely complex subject. Thanks for clarifying differences between the primary colors for printing and for painting…
Good article but I have a question.
Where are the negative color connotations?
Every color has a dark side.
Red can also mean danger/threats.
Why do you think stop signs and stop lights are red?
Green can also mean sickness.
Green eggs and ham other than in a Dr Seuss world or covered with mint jelly or food coloring is usually bad news.
Black is the color of death in Western cultures while white is the color of death in Eastern colors.
Its important that artists know the good and the bad connotations of colors.
Thanks for sharing your thoughts on color. I must have been in an extra ‘cheery’ mood when I wrote this post…obviously, there are negative connotations with certain colors and the knowledge of it can help the artist deliver a message. I added some dark meanings… thanks, Lori
I am the executive director of a non profit organization that teaches art and sells art for disabled people. We are in the process of re-painting the walls in our gallery. THe previous color was a shade of burnt orange. I loved the color and chose it for the energy it provided when you walked in the room. One member of the staff wants to paint the walls a off white so the pictures stand out. I agree that the off white might achieve that outcome but I feel the overall feeling of excitment and engergy will be lost. Any suggestions would be appreciated. You can see our gallery on our web page. Thanks!
Hi Terry, what a wonderful organization. I enjoyed looking at your website. Burnt orange is a member of the ‘earth’ palette family which echoes the natural world. The earth palette is warm and inviting especially for living rooms, studies, dining rooms and corridors. Colors from this family create an atmosphere of solid well-being, stability and purpose. Maybe a new coat of muted Terracotta or Terraverde will do the trick. I would steer away from it being too bright or intense of an orange that would distract from the art. Off-white might feel too clinical which could cause a feeling that is cold and not comforting. Also, muted green walls work well for galleries. Green creates a safe and nurturing, but lively backdrop to art. Let me know what you decide. Good luck – Lori
This is some of the best information on color I have found. I just started teaching workshops on hand-coloring photographs. Since my training is in black and white photography, much of my work with color was instinctual which made it more difficult to teach.
This information will help me become a better hand-color artist and teacher. Thank you!
Wow, Dianne! Thanks for taking time to write such a glowing comment. I am glad you found the information helpful. It was a fun post to research and share with my readers. I learned a lot too and am happy to hear it is helping others. I would love to see your creative results. Good luck and keep in touch. Thanks, Lori
Well, I mix colour every day, and I found this a very interesting and useful post. Often my mixes are ‘one of a kind’. I’ll have to think about whether I’m influenced by the colour I’m mixing – or whether the colour I’m mixing is influenced by my initial mood. Lots to think about there…
Thanks for sharing a very insightful introduction to colour Lori. I found it really interesting that my current series of paintings instinctively follow the psychological readings outlined here.
I’m sure this article will help many artists, so good job!
River.
Hi River- I am just now responding to last month’s comments! I am glad you like the post on color. I really enjoyed sharing it with my readers and hope you refer back to it when needed. Thanks, Lori